dubiously true stories and cartoons

Saturday, September 26, 2015

THE MASTER OF QUICK WIT & REPARTEE



A poem (well, rhyming verse actually)
 
In a red brick and grimy industrial town
(Just east of Burnley and a little bit down)
Preparations began for an annual event
That was bigger than Christmas, more sacred than Lent.
The town awoke from its slumber at a quarter to five,
And within a mere thirty minutes the streets were alive
With people setting up stalls and banners and flags,
As they ate up their breakfasts from white paper bags.
At nine the celebrations were starting to swing,
And two hours later there was a faint rumbling.
A small child heard it first, and in voice that was shrill,
Cried, “They’re coming! They’re coming! They’re coming over the hill!”
The townsfolk got ready and lined the streets in their droves,
All dressed in their freshly washed Sunday best clothes.
Music in the distance made them prick up their ears
And over the horizon the circus appeared.
As it is rolled into town with its lumbering trucks
The townsfolk gazed on with wondrous looks.
For this was their favourite time of the year
(Nothing much else ever happened round here).
The trapeze artists arrived, then the elephants and lions.
Next came the strong man who juggled five Mayans.
Then came the horses and tigers and eagles,
Followed by the man with his ten smoking beagles.
Then came the magician whose tricks all went wrong,
Followed by the rhinos that broke into song.
The ringmaster came next, cracking his whip through the town,
And finally, at the rear, came the tumbling clowns.
The procession rumbled through town until it came to a meadow
That was owned by a farmer by the name of Tom Beddow.
He’d seen this very circus on a day trip to Dover,
And they paid a nominal fee for his meadow of clover.
The Big Top went up and the performers rehearsed.
In a caravan the ringmaster and farmer conversed.
“Everything’s set, the forecast is sunny.”
“And the punters are ready to part with their money.”

Now, in this industrial town of red brick
Lived two brothers whose surname was Hick.
They were identical twins – one Peter, one Paul –
But apart from their looks they shared nothing at all.
Peter was stupid, moronic and thick.
He was a dunce with less sense than an average brick.
He was mentally challenged, a dimwit and slow,
His attention to detail was almost zero.
At school he was useless and was often regarded
As backward or a nitwit or just simply retarded.
His teachers despaired and contacted his mother.
Saying, “Why can’t he be like his intelligent brother?”
Peter couldn’t add up and he couldn’t subtract,
He couldn’t read Shakespeare and nor could he act.
His comprehension was atrocious, his grammar was worse,
He couldn’t write sentences and he couldn’t write verse.
He couldn’t understand physics or biology
Or chemistry or maths or palaeontology.
When asked something simple, he’d say without exception,
“Du-hur, I don’t understand the question.”
As he grew older his brain seemed to shrink
And he couldn’t do anything that required him to think.
He eventually found work in the town’s local zoo,
Mucking out the cages of the rhino and gnu.
His brain was so small he could never remember
Whether Christmas fell in July or December.
But despite his stupidity, frowning and slowness
There was one thing he loved – and that was the circus.
He liked the trapeze artists, the elephants and lions.
He liked the strong man who juggled five Mayans.
He liked the horses, the tigers and eagles,
He liked the man with his ten smoking beagles.
He liked the magician whose tricks all went wrong,
He liked the rhinos that broke into song.
He liked the ringmaster who cracked his whip through the town,
But he loved most of all the tumbling clowns.

Although his brother was moronic and thick,
Paul was the complete polar opposite.
He was a professor of mathematics, an historian and a boffin,
He could sing in falsetto without even coughing.
He could talk convincingly on all kinds of subjects,
On space travel and diplomacy and flesh-eating insects.
He was a qualified vet and did algebra for fun
And he could name all the components that made up a gun.
He was an expert in criminal and clinical psychology,
As well as science and religion and Jungian philosophy.
As an artist he was praised for his abstract creativity.
He could even explain Einstein’s Theory of Relativity.
He was a gastronome, a gourmet and a fabulous cook
(He’d even made improvements on Delia’s book).
He could play on his piano Gymnopodies by Satie,
But he was known best of all for his quick wit and repartee.
His put downs were legend, his wit sharp as a tack,
One lash of his tongue would take people aback.
His words were well-chosen, his sentences structured,
So fools and their pride could be easily ruptured.
His tongue was a weapon, his words ammunition,
No fool could escape his expert derision.
Those wasting their time watching soaps on their tellies
Were reduced by his wit to quivering jellies.
Only one man was spared from his withering wit –
He was the biggest fool in town, a monumental twit.
He spared him because he loved him (they shared the same mother) –
It was Peter, his incredibly stupid twin brother.

Now, Peter was in a state of excitement –
He knew what the tickets he had for this night meant.
He was going to the circus that travelled round towns!
He was going to the Big Top – and that meant the clowns!
Peter was wrapped in his scarf (the ends pinned to his back),
He had on his jumper and his black plastic mac.
The night air was chilly and it was starting to rain,
But none of that mattered inside young Peter’s brain.
His thoughts were on clowns – he was sure they’d be funny.
“That’s all very well,” said Paul. “Now don’t lose your money.”
When Peter left with his ticket in hand
He was the happiest man in all of the land.
He would be sat at the ringside (his favourite spot)
And he’d see everything clearly, the whole jolly lot.
He sat through the trapeze artists, the elephants and lions.
He sat through the strong man who juggled five Mayans.
He sat through the horses, the tigers and eagles,
He sat through the man with his ten smoking beagles.
He sat through the magician whose tricks all went wrong,
He sat through the rhinos that broke into song.
He sat through them all until the ringmaster came out.
“Please welcome the clowns!” he announced with a shout.
The clowns fell into the ring, rolling and tumbling –
All of them laughing – except one, who was grumbling.

He was a mean spirited clown by the name of John Hammett,
Who had a chip on his shoulder the size of a planet.
Hammett was not happy at being a joker,
And that’s why his face was as long as a poker.
The ringmaster’s job was what he really desired,
But his qualifications fell short of what was required.
He’d gone to the interview all tidy and neat,
But he couldn’t disguise his oversized feet.
The interview went badly, he didn’t do very well,
And the pressure of it all caused his armpits to smell.
“I’m sorry to inform you,” the interviewer trilled,
“The position of ringmaster has already been filled.
Despite your appearance, all tidy and neat,
I couldn’t help noticing your red nose and feet.
Your shoes are enormous and your feet are quite flat,
And I couldn’t take you seriously in your conical hat.
Your red nose was distracting, your face was too white,
For the ringmaster’s job you are simply not right.
But I can offer you the job of head honcho clown,
And if you don’t accept that you can get out of town.
One final thing – and this is just some advice –
Don’t shake my hand with that electric shocker device.”

So here Hammett was in this town of red brick,
When suddenly his eye spied young Peter Hick
Who was eating some popcorn and drinking a coke –
Just the right chump for a mean-spirited joke.
He looks a bit thick, thought the clown with a smile,
I’ll make a fool out of him because I’m so infantile.
Peter was too happy watching the other clowns tumbling
That he didn’t notice Hammett with his moaning and grumbling.
Hammett stepped over to the ringside and gave Peter a grin
Whose happy face looked like his boat had come in.
He couldn’t believe it, he was part of the show,
Unaware he would soon be dealt a terrible blow.
“Are you the front end of an ass?” asked Hammett the clown.
“I don’t think I am,” replied Peter with a frown.
“Are you the back end of an ass?” the clown continued to question.
“I don’t think I am,” Peter said in confusion.
“Then you must be no end of an ass,” the clown laughed in his face.
Peter’s bottom lip quivered and he ran out of the place.
He ran out in tears as the audience roared,
And Hammett thought: With morons like him I’ll never get bored.
Peter may have been stupid and easily pleased
But he was also thin-skinned and easily teased.
He ran all the way home and interrupted his twin
Who was writing a biography of Ho Chi Min.
“I’ll sort that clown out on the life of our mother.
I’ll get him back,” Paul promised his brother.
“I’ll make him pay – you wait and see –
For I am the master of quick wit and repartee!”

The next night Paul, with his ticket in hand,
Was the angriest person in all of the land.
He sat at the ringside (Peter’s favourite spot)
To see everything clearly, the whole sorry lot.
He sat through the trapeze artists, the elephants and lions.
He sat through the strong man who juggled five Mayans.
He sat through the horses, the tigers and eagles,
He sat through the man with his ten smoking beagles.
He sat through the magician whose tricks all went wrong,
He sat through the rhinos that broke into song.
He sat through them all until the ringmaster came out.
“Please welcome the clowns!” he announced with a shout.
The clowns fell into the ring, laughing and tumbling –
All except Hammett, who was, of course, grumbling.
But then a grin stretched across Hammett’s cruel face
When he saw last night’s victim in exactly the same place.
He’s come back for more, thought the clown, with a smile,
I’ll embarrass him again, because I’m feeling hostile.
“Are you the front end of an ass?” the clown Hammett asked confidently.
“No,” replied Paul with absolute certainty.
“Are you the back end of an ass?” the clown continued to ask.
“No,” replied Paul, his face as blank as a mask.
“Then you must be no end of an ass,” said the clown with big feet.
Paul didn’t respond and remained in his seat.
The crowd started to smile, then they started to snigger,
But they began to go quiet when Paul suddenly seemed bigger.
He got out of his seat looking angry and tall,
And a small boy cried out, “It’s not Peter – it’s Paul!
A sudden silence descended throughout the Big Top
And it dawned on the clown that his act was flop.
The name of Paul Hick was known throughout many towns
And he was mightily feared in the society of clowns.
They carried his picture in their extra-large pockets –
And his face made their eyes bulge from their sockets.
Hammett should have paid more attention, his come-uppance was nigh,
And he fell to knees and started to cry.
He could see, looking up, Paul’s face getting madder –
Then he lost all control and emptied his bladder.
The silence was deafening, the air sombre and grey,
As the audience waited for what Paul had to say.
For Paul was at the very top of the tree
When it came to quick wit and repartee.
His well-chosen words would be witty and cruel –
They would make the clown look like an ignorant fool.
The sentence was structured, Paul face was like thunder –
He was now ready to punish the clown for his blunder.
The crowd covered their ears (a sensible decision)
To muffle the sound of Paul’s witty derision.
Paul looked down at the clown and these wry words he blasted,
Fuck off, you flat-footed, red-nosed bastard!
Hammett clutched at his chest and cried out in anguish –
His heart nearly burst upon hearing Paul’s language.
He fell to the ground, twitching and weeping,
And from the crotch of his trousers something awful was seeping.
The crowd roared their approval, they whistled and hooted,
At the clown who been truly metaphorically booted.

At home, over Horlicks, Paul said to his brother,
“I told you I’d get him on the life of our mother.”
He related the events of his glorious night,
Of his sparkling wit and the clown’s well-deserved fright.
But what about Hammett, that mean spirited clown?
He was sacked by the ringmaster and then run out of town.
The society of clowns struck his name off their list
And he spent the rest of his life being totally pissed.
The trapeze artists were history, like the elephants and lions.
No more the strong man who juggled five Mayans.
The horses had bolted with the tigers and eagles,
And gone was the man with his ten smoking beagles.
Vanished was the magician whose tricks all went wrong,
Extinct were the rhinos that broke into song.
Hammett would never again hear in any more towns
The ringmaster calling, “Please welcome the clowns!”
In his sleep he dreamed of his avoidable error –
And Paul’s terrible words woke him twitching in terror.
They invaded his mind like an extra-loud klaxon –
Haunting his nights with their ripe Anglo-Saxon!

Sunday, March 22, 2015

IT'S ALL ABOUT ME!


Last night was the preview of my first solo exhibition of cartoons. It was held in the rather smart Art Bar Café Open Mind in Carlisle, which is run by a very nice Polish chap called Sebastian. The exhibition (entitled NOW IT CAN BE TOLD!) was a collection of twenty-four new cartoons all based around significant historical events that have been slightly ‘altered’ and was supported by some of my earlier work. I've included some of the cartoons in this post, but if you want to see them all you can find them on my website www.stephen-mitchell.co.uk. 
What follows is the speech I gave. I hope you like it.

Exhibition Flyer

I’d like to thank everyone for coming here tonight. As the flyers for this event state this is my first solo art exhibition. I’ve never been called an artist before, unless you count the times when my friends in Saudi Arabia referred to me as one, although that didn’t really count as they generally prefixed it with the verb piss. It’s taken a long time for the art of cartooning to be recognised as an art form in its own right. Yorkshireman Glen Baxter, who has been a huge influence on me, has been exhibiting his cartoons all over the world for over thirty years, and more recently, Kiwi Dylan Horrocks has created a massive impact with his books Hicksville and Sam Zabel and the Magic Pen. You may argue that cartooning is not really an art form but not everyone can do it, especially when you’re often working very quickly.

Title: Too Much On My Mind


Back in 1988 I was in the Royal Air Force stationed in Belize in Central America. When I applied for the post the Local Overseas Allowance (what we got on top of our usual salary) was £10 a day. Typical of the run of luck I was experiencing at the time, on the day I arrived in Belize the Local Overseas Allowance dropped down to zero. I had a family to support back in the UK and I couldn’t very well spend my wages on the drinking habit I intended to foster while I was away from them.  I had to think of a way of indulging in my deep love of alcohol without actually spending any money.

I achieved this by spending my nights in Bob’s Bar and drawing cartoons of the people there. Bob’s Bar was situated behind the Nissen hut where we lived and it was a bar only in the vaguest sense of the word. It was more like a concrete room that contained an unlimited supply of beer. It had windows without glass and a roof made from palm leaves that was home to an assortment of biting insects that could at the very least give you something that would empty your bowels every thirty seconds. My remit was that if I could draw a vague likeness of someone in two minutes or less that other people could recognise then that someone would buy me a drink.

Title: Big Sky

We generally started drinking at around six in the evening and by 10.30 I had begun to dribble down my shirt and my cartoons resembled the kind of scribblings that a serial killer might have etched onto his own skin with a protractor in his spare time between victims. To get extra cash I would spend time on a more detailed cartoon of someone (obviously, when we were both sober), picking up some of their unique qualities and focussing on the stupid things they had done, usually in a state of intoxication. I still have copies of all the drawings I did out there and I intend to use them should I ever decide to pursue a career as a blackmailer.

Title: Where Have All The Good Times Gone

Three years after returning from Belize my wife divorced me for being (and I think these are the words she used) a philandering twat. I moved into the Sergeants Mess and had very little money to support myself. I joined a group of guys at RAF Waddington in Lincolnshire who were all divorced for also being philandering twats and we were collectively known as the Sad and Lonely Boys Blues Club of Lincoln. We were all aware that our respective marriages had failed because of our own stupidity, lack of respect for our previous partners and our inability to say no when something was offered to us on a plate. And so to remind ourselves where it all went wrong we chose as our club motto the words: Cock On, Brain Off. The reason I mention the Sad and Lonely Boys Blues Club of Lincoln is that it was one our members that got me back into drawing. He asked me to do a caricature of his sister and he paid me £50 for it. Fifty quid! That was like a King’s Ransom for me at the time. What it did, though was provide me with more business. From the proceeds of the drawings I did at the time I was able to raise enough money to buy Christmas presents for my kids and have a good time for myself – all without ever involving the taxman.


Title: Death of a Clown


Both in the RAF and as an MOD Civil Servant, I wrote and drew a number of comic strips for various in-house magazines. These usually started off well but somewhere along the line they invariably landed me in trouble. In the December issue of the RAF Brüggen Station Magazine I was given a full page to advertise a load of obviously bogus Christmas presents for children. One of them, which caused a flood of complaints and landed me with a lifetime ban from ever submitting anything ever again, was a doll I'd invented called Foul-Mouthed Fiona, who would emit a torrent of abusive language whenever a string on her back was pulled.

Title: Situation Vacant


At RAF Marham, my friend Phil Gibbons and I created a full-page monthly comic strip called They Came From Outer Space But Spoke Our Language Perfectly. One storyline was about the religion of the alternative world where our two alien characters hailed from and a jumped-up, Bible-bashing corporal reported me to the Padre and pushed for him to get the Station Commander to charge me with blasphemy.

In a comic strip about a day in the life of an RAF Unit that my friend Andy Bunkle and I drew over 24 hours for charity, one section was about RAF Police Dog Handlers. An RAF Police Dog Handler was known by everyone (apart from other RAF Police Dog Handlers) as A Brain on a Chain. In the strip two RAF Police Dog Handlers are walking their dogs around the perimeter of the Unit and they are talking about the soap operas and game shows they had watched on TV the night before, whilst the two dogs are talking to each other about existentialism, suggesting, of course that the two dogs were more intelligent than their handlers. The Station Commander politely told us that unless we wanted to run the risk of being set upon by a rabid German Shepherd in our sleep then we should remove that particular section of the strip before it was published and went on sale.

I was asked to cease my three year run of a strip called Pond Life, the title of which was a dig at the incompetence of the higher management where I worked (although they didn’t realise it at the time) because of a strip I had written lampooning the unavailability of a new and ineffective Stores Management System that had already wasted millions of pounds of tax payers money but was still being championed by the higher management (the rumour was that they were all receiving illicit back-handers from the company who were supposedly developing it). The reason the strip caused such a fuss was that it just happened to go into print on the very weekend the actual Stores Management System crashed and burned forever. Not long after that the cartoonist for the MOD-wide magazine Paper Clips retired and I was chosen to be his successor with a strip call The Office That Time Forgot, which was about dinosaurs in suits. I managed to get two of the strips published before the hierarchy pulled it once they realised that the dinosaurs in suits were themselves.

Title: Starstruck


I experienced no trouble, however when I was offered the job as resident cartoonist for the Peterborough United fanzine Posh Monthly, where I created the strip Suited & Booted, which was about the difficult and bickering relationship between the manager Barry Fry and trainer Wayne Turner after they had been kidnapped by aliens.

Given that I could have chosen any subject for an exhibition of cartoons, why then did I choose history? Well, it’s simple really – I like history. I don’t think a lot of kids today know enough about it or even value its importance or relevance to the society we live in now. I know that the historical events I’ve represented here have been slightly adjusted, but if even one of the cartoons makes someone go home and find out what really happened then, then I think I’ve done what I set out to do.

Title: All Day and All of the Night


Before I go, I’d like to say that I think that I’m not the person I used to be all those years ago when I was a fully paid up member of the Sad and Lonely Boys Blues Club of Lincoln.  The main thing that changed me and made me who I am today was meeting my lovely wife, Jackie Owen, nineteen years ago. It was her that encouraged me to begin writing the blog Travels With My Rodent and if I hadn’t written that a publisher wouldn’t have come across it and my novella Permanent Moments wouldn’t have seen the light of day. It was also her that encouraged me to exhibit my work and to move forward with my cartoons and comic strips.

So, I’d like to dedicate this exhibition of cartoons to Jackie, for making me a better person.


At least sometimes, anyway.

A Note on the Titles: I was asked to provide titles for the cartoons, even though the titles were actually on the cartoons already. I ummed and aahed about them for a while until I had a brainwave and came up with the titles you can now see attached to them. The more observant amongst you will already have noticed that all of the titles I gave to the cartoons are also song titles from the back catalogue of that greatest of all sixties bands - The Kinks.
Yeah, You Really Got Me!